no label cover - just standard cover. big release again on peter van hoesen s time to express label. a set of 3 releases by sp-x. the moving through mirrors series showcases lean, contemporary techno. part 1 kicks off with e.t.a. and return to function, both prime examples of the stripped-down sweatbox grooves sp-x excels at. for adult dancefloors only

born in oakland, california, but raised in seattle, the dirty nomad emcee jvon, ventures off once more with minneapolis’ own, ackryte, for their third adventure.

klamauk are all set to reveal their second release of 2015 with this excellent offering from their very own tilman. this 5 track ep takes in a broad ranging musical spectrum from the warm, emotive house of voyager to the eerie acidic groove of outer space. the ep really shows off the prowess of tilmans productions who has been going from strength to strength of late and is a great addition to the klamauk catalogue.

the tenth release on public possession comes from no other than bell towers. over the last two years he significantly helped to coin the sound of the label and we are very happy that he is continuing to do so

played by : ooft!, akra, the legendary 1979 orchestra...
marseille s finest dj steef steps up to the plate for the next foto 12 inch, supplying 3 hefty house tracks of varying tempo s and moods. main jam shaking kicks off proceedings with a chopped-up break and kicking groove before a piano-laden mid-section sends the temperature rising. next up freeters hits heavy on the pitch-down vibe with some wonky electronics underpinned by a solid 4/4 low end. over on the flip big bossman the revenge hits back with a trademark stripped-out mix of shaking which is heavy on the machine funk. rounding things off mojica tribe is an altogether deeper number with smooth pads and an ethereal atmosphere

quickly becoming one to watch in the techno circles, john shima is making waves with his fresh approach to that classic detroit sound. his contribution for boe is nothing short of a stunning representation of underground electronic music. prototype is a sonic ode to industry: blueprinted in the motor city and forged in sheffield. it s heads down for the dance floor with shimmering metallic overtones and a side order of robot jack. ancient skies points more towards chicago stylings capturing the melancholy party vibe of early cajual records with crystal clear production skills and neat arrangements. transducer is groovy experimental techno that could have easily sat on the much-revered objet d art. it s electronic music that will stand the test of time. rounding off the ep in fine style is true distance. a stunning ambient piece with deep pads and swirling melodies that complement and round of the ep perfectly.

kindisch is absolutely thrilled to introduce the newest family member to the roster, french mastermind yokoo with his sensual and moving ep, atya. the title track brings us warm percussion topped off with long, drawn out pads and elegant notes jumping around the track. the track holds its energy back for the most part, creating a beautiful ambience and amazing warm up or after-hour vibe.

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys

focusing on deep and raw vibes, strictly wax and classic beats, the - montee louis ep- has been directly imported from bellevue ii, libreville gabon, africa & it has been produced by the great bernard da smoove. mpc-filtered deep house with some darker & menacing rhythms, a1 - hudson budd- kicks off the a1 with a meaty 4/4 kick drum which slowly finds itself surrounded by ghostly pads and even more haunting synths. a2 - thrawbock- mutates into a more light hearted house jam for the heads, with its vocal infectious sample. b1 - strctly move - goes back into familiar, smooth deep house territories but still retains his magic touch, able to transform even the deepest of basslines into something both unusual and musical at the same time. b2 & b3 thrawbock 88 & strctly move 88 are the 90s hip-hop (!!!) versions of the same tracks above : insane !! first time we heard it we thought, hell yeah, the production is just terrific & indeed there s a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm

the next chapter in the main the invariants series surfaces. on the a side two slightly more effective cuts with centripetal force. on the flipside it submerse with the first a track from the tape archives and to close the ep off a downtempo acid session.

12 inch coloured vinyl (hot pink) hand stamped & numbered sleeve. more vinyl only business from the bristol based just jack camp, this time from firm fave amir alexander under his richie ratchet moniker. 2 original acid cuts designed for late night sleazing, this is timeless dancefloor music that makes you want to take your shirt off. mastered to tape before being cut to wax for that extra bit of juice, this is a limited pressing with only 303 copies and no repress. don t snooze on it! vinyl only!

illusion limited is the limited press sister label to illusion recordings. the label will shine light on new artists and sounds not currently represented on illusion. the first release kicks off with the highly talented manchester based artist seelie who delivers two slices of subtle, classy deep house. this ep has been a while in the making and shows a real development in seelie s sound from classic house to deep textured and hypnotic house. blm provides a huge remix on the a side stripping things back and letting the analogue bline and minimaistic drums create a heady, yet dancefloor track. dilated pupils provide a unqiue broken beat remix of the hypnotic desire on the b-side to round things off and kick off this label in style.

2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. this also means that those who exploded onto the scene prior are no longer the new kids on the block. a few years is a long time in the life of a dj, and the first few years are often the maddest. the adana twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as everyday and strange , from the off it was clear that they had everybody s undivided attention. (pulse radio) with dj names like take it easy and friso, it s probably to be presumed that german duo adana twins don t take themselves too seriously. that tongue in cheek attitude could be heard on their first productions and remixes. it s now almost almost three years later and the twins music vision is constantly developing

for the next release on souvenir, the label dips into the past of almost 30 years ago to retrieve this forgotten souvenir of the times, dusting off and rejuvenating section 25s classic, desert, taken from the album, from the hip on manchesters infamous factory records.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

when something new starts it s because there s a need to wander further, to cut deeper. mrt is a result of this. for their first record the newly formed division of lux rec teamed up with benedikt frey. three perfect tracks to start the journey, build foundations and describe the far off obscure fringes of the mrt universe. the introduction of portal, a dreary number, together with telamon, acidic march, and stereobate, relentless physical techno music, portrays the musical range and qualities of benedikt, and sets the path for mrt.

now living in warsaw, donnell knox was well known, along with black nation s jay denham for forging a tough, distinct kalamazoo techno sound in the 90s. his label, sonic mind, put out some very coveted, underground wax that still sounds unique, extra rugged, and fresh. well d-knox is now on a bit of a comeback mission it seems, with some really inspiring new material, and “africa calling”. the first version, created to donnell’s much loved “spirit man” alias, is a soulful trek through layers of pads and emotive synth work. the simple, but uplifting, vocal snippet really gives it an organic and spiritual feel, the tempo is driving and quick, but the overall vibe is laid back and deep. remixes come from the likes of brooklyn based titonton duvante, who maximizes a synth pattern to a form a beautiful, reaching, version, while canada’a rennie foster channels his futago traxx style to present a full on tribal, drum based mix with added vocal pieces. also, detroit transplant, now living in canada as well, j garrett goes in with a very emotional, warm, string laden take. the ep is capped off with another version from donnell that could stand as it’s own track really, a totally different, but equally as strong, version featuring a driving baseline and detroit style string vamps. a really nice release, worthy of your support, from a well loved veteran of the techno underground.

now already almost a year has gone by since “inspiration”, the collaboration between jah wobble and singer pj higgins has come out on sonar kollektiv. with “chaingang (remixes)” we get a further renewal of one of the eight tracks off the album. for instance utrecht, netherlands based multi-instrumentalist and producer pitto gets down to work to morph the song into an eight-minute spheric techno extravaganza. some sort of a teaser for his upcoming album on sonar kollektiv later this year (although it will sound completely different). also releasing an album on sonar kollektiv in 2015 is producer marlow from weimar. his voodoo version of “chaingang” draws nearer to the original and incorporates the jubilee style gospel chanting to a hypnotically impelling rhythm. at the right time at the right place this remix will cause outmost frenzy on the dancefloor.

bipede ep is a dive into pit s universe : from aerial, chill out music such as -take off-, to dark and raw techno such as -bipede- or - sylvian fissure- . he also experimented electro-acoustic / concrete music with the latest track - acousmatique-.

the swindlers return and not a minute too soon as far as were concerned! the hardest working duo in house music have had a mental couple of years playing every club and festival known to man, having babies, seemingly buying up the entire stock of vintage studio gear off ebay and thankfully knocking out some banging tunes on top of all that. well all club bangers gratefully received here at freerange so with open arms and ears were happy to be bringing you the figure of speech ep.

back at it again, taking the true essence of the “jacking” sound of chicago house and putting it’s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, “volatile.” warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! “volatile” starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that’s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is “killin,” with it’s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, “broken siren” is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, “electric current” best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

picking up where the green aid ep left off, pn002 continues to encapsulate the labels ethos of delivering bass-laced custom-built club music that transports listeners to that unique place only quality club music can. title track glacier way is a pacey low slung affair that combines shimmering synths, rasping kicks and otherworldly bass breaks. another fine a side from the budding producer, and one that is sure to set the tempo across planet earth.

rounding off the vinyl series that accompanies themas label-defining strength in numbers compilation, part 4 downsizes from 12 inch to 7 inch to present two distinctive jams that show some of the farthest reaches of the new york imprints sound. laurine frost may be best known as part of the nonconformist house and techno scene of europe through releases on perspectiv, sharingtones and nervmusic, but on this special creation for thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of amiri baraka on “your house”. by way of a truly special finale for the series, minneapolis maverick dj slip graces the label with an all-too rare appearance, taking an altogether more primal approach on “x7” that channels his years spent conjuring up next level techno for missile, music man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. it’s the perfect example of the freaky fringes thema has comfortably reached to over the course of the last forty releases.

2015 kicks off with carefully compiled va suitable for different situations. all together makes it a solid international selection with variety of styles represented by each artist .........

the fx mchn has unplugged itself from the london housing trust offices just long enough to run off these three documents for narrow gauge. art 2 mouse starts with a gritty, little drum box punching way above its weight before the heavy machinery rolls in for reinforcement. mono life slows the tempo with a close-up shot of the intricate interlocking cogs of an fx mchn track. on the flip side we move to a wider-screen format for a helicopter ride over the oil-drum beats and tribal chants of no place to go .

flumo limited returns in the form of a translucent blue 10 inch, slice of blue acid from el_txef_a. the release features 2 originals that incorporatesthe emotive and deep vocals of terence mckenna and is packed full off 303 beats, ready to do the work on the dance floor. side a of this double sider comes in the form of ‘neurotransmitters communication’, a 9 minute roller which blends heavy bass beats and piercing vocals into on ocean of squelching undertows. for side b, el_txef_a presents us with ‘fear vs love’, intertwining flutters of break beat around chugging acid melodies, and leaving the listener with a perfect combiantion of sonics. this is one piece of wax that is almost certainlly an essential for your record bag, a homage to the warehouse raves of times past and a melting pot of acid acoustics.

illusion recordings off shoot label innercircle is back for its fourth edition with french house wizard andrade stepping up for his debut ep with the illusion crew. andrade featured a remix on inc003 on james barnsley s huge spellbinder ep and after delivering the goods illusion were keen for him to flex his musical muscles across a full ep.
andrade has been on a rich vein of form recently releasing on delano smiths mixmode label, one records and dessous to widespread acclaim, cementing his standing as one of the most talented house producers around.

dm003 gets the black maths series off the ground. black maths is all about the most introspective of the rhythms that can get the dance floor on fire. one artist per side displaying their separate musical universes with one common link: mystery. a mystery that goes from placid to oppressive, sometimes even bordering on unnerving. black maths is above all an exciting journey through sound.

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

public possession under the influence 05 is the first various artists compilation on pp. four tracks made for your pleasure. reworked to be heavily used. kicking off with the already notorious flyer edit by samo dj featured in various mixes and high in demand - finally available on vinyl. on a2 bell towers takes over the controls to deliver another one of his italo tools. where does he get it from? who knows. 100% rhythm in motion. flip sides! you get introduced to a new member of the pp family: tamas jones, one half of the australian duo hey convict, re-does an underground classic, your dj bag is crying in joy! tambien is finishing off things with their dubbed out version of a dutch synth pop cut.

hot off the heels of his latest album signs under test, john tejada quickly follows up with pal 065.

butanes alphahouse imprint kicks off 2015 with pablo inzunzas ‘convenience’ ep, featuring three original cuts from the chilean artist and a remix from the label-founder himself.

for the first time in too long, influential visionquest founder, dj and producer shaun reeves is back with a new ep. this one - the label’s 50th, no less - comes in collaboration with acclaimed italian house producer tuccillo, features two essential new tracks and comes with a fantastic remix by dorian paic. shaun has released on the likes of crosstown, wolf + lamb and catwash and has worked with art department and dj w!ld, but here it is well informed house man and 2020 vision and holic trax associate tuccillo that is his musical paring partner. together the pair really hit it off with some truly infectious club tracks.

after a break of four years, robot ranch records presents a new double ep from ash carr, artist and producer from leeds (uk). the record includes three original tracks as well as three remixes from h.off.i, schwarz weiss and freq freq.

dan farserelli releases the runnings thoughts ep, his first solo outing on the fuse london imprint. running thoughts kicks things off with a sub-aquatic joy ride of deep and twisted beats, shards of static sound puncturing through to lend the track an otherworldly feel. another day toughens things up with a booming kick and more focused dance-floor sensibility whilst the eps vinyl only track lost inside injects a sense of melancholia with its eerie pad imbuing the groove with a trippy edge

norm de plume enrols rotterdam based ben la desh for a joint 4-track ep (vinyl-only). theres an original track from each of them with both producers swapping remixes to round off this uniquely collaborative release.

the fifth instalment of our vinyl only series! wolf reach number five in their vinyl only series welcoming two new artists to the pack as well as new some familiar names to any fans of the label. the ep opens with ishmael, an artist who is becoming increasingly present on the label. gracey x is a departure from the artists signature sound and he delivers a more peak time track while retaining a soulful element. up next homeboy takes on back to the masses and delivers a fine dub. the flip opens with a live take analog jam from the illusive black fan while dutch duo, muzikschaft step things up to round off the ep. all tracks have been premiered on rinse fm & beats in space in nyc

matches sets the scene alight in the early months of 2015 with this multi-faceted four track burner on arkhive london. having cut his teeth on the east london party circuit as a dj under various monikers, matches has carved a superior workout inspired by some of motor citys foremost ambassadors of dark funk. this package is a full expose of his range as a producer, starting out with some early evening swagger before easing through the gears to a climax of an altogether housier ilk.

uk techno stalwart steve bicknells lost recordings series must be one of the longest running in dance music, the lost and cosmic founder has been putting out previous unheard material from his early 90s heyday on and off since 2004. there are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. the hissing, spacey, cymbal-heavy track 3 is particularly trippy, while theres a gnarled, ragged intensity about the pulsating heaviness of track 1. arguably best of all, though - ambient interlude track 2 aside - is track 4, an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.

red motorbike has been a handsome vehicle for eddies own, ever-essential output, alongside some specially selected collaborators across 9 glorious releases. here, the head honcho rides out again, accompanied by the nearest and dearest from the label family. high road is a one-off double vinyl celebration of all the label stands for brilliantly reworked mid-tempo cuts, sample house jams, psychedelic soul rewires and head-nod heavyweights, all sticky with the funk and sure to work well from beach bar to barn dance. the track curation is second to none, and you can be sure theres no filler here!

juan sanchez delivers his first single on the raw sounding drumcode limited with two monster sounding tracks. both tracks represent the gritty, tough side of the drumcode spectrum and deliver two peak time tracks that will finish a dancefloor off. using filtering hats, low end rumbles and outlandish beeps, juan sanchez encapsulates the sound of drumcode limited.

silkscreen artwork - hand-stamped - limited to 300 copies. after chris mitchell, xdb and walt j, parisian label unlearn is back with a various artists from european fellow producers. a versatile cut between mental lands, dubby shapes and g-funk territories that confirms the label’s strive for eclecticism in electronic music the release starts off with juckis (100693 mix) (a1) by copenhagen underground posse (c.u.p) affiliated artist kasper marott, a strong and sensual track between dub and house. the ingredients are simple but effective: deep chords, groovy bassline and driving snares. jackin in paris (a2) is something else. this analog number by hyperdubs jkamata mixes the artists uber-funky roots and his taste for polished house rhythms. be sure to check his supertronic duo project as well, these danish cats definitely know how to do it.the flipside explores a more mental side of dance music starting with the refined north (b1), the kind of track you cant really put in a box. labels co-owner caseer aka raphaël cesario takes you on a trip through his elegant universe made of harmonic pads and syncopated rhythms. misi from basel ends this v/a with helios (b2), a maurizio-esque cut that will please the amateurs of proper dub.

we are pleased as punch to welcome guillaume & the coutu dumonts for his freerange debut with the revolution in the cycles ep. the plucky canadian via berlin producer will be well known to most of you through his releases on labels such as circus company, oslo and raum musik or maybe you witnessed the master at work crafting one of his amazing live sets. either way, you’ll know how he likes it, mixing up his deep understanding of rhythm from his years spent playing drums with the unquestioned groove of house and hypnotic beauty of techno. the result is a unique, slightly wonky brand of off kilter house which is perfectly summed up here on this three track ep.

the off-kilter beauty on the surface of panoram s music belies the undercurrent of curdled visions and nightmares that reside below, indeed his music has once been described as sounding -like a painting by edward hopper hanging in the living room of bill pullman and patricia arquette in lost highway-.

london based us producer lance de sardi joins the hudd traxx fray for the last 12inch before the label hits 50 releases and commence the 10th anniversary celebrations. although there s only three cuts on west country, de sardi more than shows his diversity as a producer and it s a fine addition to a discography that dates back to the 90s.pariah kicks the ep off in fine style with smooth beats, an infectious vocal and lush pads ensure that this will be a big one for the heads. flip for the b side and find a tough acidy number in youth, and a groovy track in race the clock which is made for the dance floor. 2015 is already proving to be a big year for hudd traxx following releases from iron curtis & nachtbraker, and lance de sardi keeps the flag flying high with this solid ep.

warp präsentiert mit der cargaa ep-trilogie die underground-grime-szene von lissabon, wo junge produzenten polyrhythmische inspiration aus der afro-diaspora zu einer elektronischen clubmusikmutation verarbeiten. die erste ep stellt fünf junge künstler vor, darunter die szenestars dj marfox und dj nigga fox. der begriff -cargaa- kommt aus dem straßenslang lissabons und bedeutet heiß, geil. 12 inch mit bedruckten innentaschen plus downloadcode.

limited edition of 200 copies, handstamped, vinyl only promo.
milos returns after the well recieved expressions e.p., here dropping another 2 effective dj treats!
kicking off with * work it out*, a healthy 303 backed slammer with huge sound, and classic work that mutha sample. stand out mastering from curved uk! heads down bomb!
flip for * test of time*, an enormous rave sampling, addictive dancefloor gem with a definate nod to the old skool, massive reverb effects and a thundering bass! in the right hands, this is an essential weapon!

active as a record releasing producer for a decade, james burnski burnham has credits for a wide variety of labels in his discography, gracing everyone from boe to hot creations. constant sound is a new label from the man, set up with jon woodall, burnski s production partner as constant. music from cab drivers, a scott, and richard rowell is promised over the coming months but it s a solo record from burnski that kicks matters off with your love. a collaboration with vocalist beckford, -your love- is one of those insistent, driving house cuts with dashes of acid to it and it s complemented by remixes from prime numbers man trus me and mosaic boss steve o sullivan who take the cut in markedly different directions. a solid start for constant sound! other releases by burnski burnski changes (12-) constant sound forthcoming other releases on constant sound a scott & chad mrs j (12inch) constant sound forthcoming burnski changes (12-) constant sound forthcoming what do you think of this release? write a review in the facebook comments box below: what do you think of this release? tell us what you think in the facebook comments box below: burnski - your love (incl. trus me & steve o sullivan remixes) burnski - your love (incl. trus me & steve o sullivan remixes)

big release again on peter van hoesen s time to express label. a set of 3 releases by sp-x. the moving through mirrors series showcases lean, contemporary techno. part 1 kicks off with e.t.a. and return to function, both prime examples of the stripped-down sweatbox grooves sp-x excels at. for adult dancefloors only